The anti-Trump: The NEW DEAL & HOW A MINDFUL GOVERNMENT RESTORED A BATTERED NATION

The anti-Trump: The NEW DEAL & HOW A MINDFUL GOVERNMENT RESTORED A BATTERED NATION

Works Progress Administration  ·  1935–1943

The New DealPut America to Work

When a battered nation was given a plan, a paycheck, and a paintbrush.

It's difficult to imagine today that, at one point, the US led the world in building societal safety nets, made significant investments in the arts, and encouraged diversity (and equity and inclusion).

The Great Depression, beginning in 1929, left roughly a quarter of American workers jobless and millions without homes or savings. FDR answered with the New Deal, and a major piece of it was the WPA. Its programs reached the entire population and delivered lasting, measurable improvements. Here we explore some of the artwork the period produced.

Book cover about the New Deal and the WPA
3.3 MillionWorkers at peak, Nov. 1938
$4.9 BillionFirst appropriation, 1935
620,000 mi.Of streets built
10,000+Bridges built

It's important to remind ourselves that we are all immigrants to this nation.

The Agency

Jobs, Not Handouts

The Works Progress Administration was established by presidential order on May 6, 1935, as a cornerstone of the Second New Deal. Led by Harry Hopkins, it put millions of jobseekers on public payrolls, mostly in construction: parks, schools, airports, housing, and a vast network of roads and bridges.

Its first appropriation of $4.9 billion was equal to about 6.7 percent of 1935 GDP. From 1939 to 1943 it operated as the Work Projects Administration.

“These ordinary men and women proved to be extraordinary beyond all expectation. They were golden threads woven in the national fabric.” — Nick Taylor, American-Made: The Enduring Legacy of the WPA

Who Qualified

American citizens 18 or older, able-bodied, unemployed, and certified as in need by an approved local relief agency.

What It Paid

$19 to $94 a month depending on region, urbanization, and skill. The average was about $52.50, roughly $1,200 in 2024 dollars.

How Long

Hours were capped at 8 a day or 40 a week, with a stated minimum of 30 hours a week.

Culture as Infrastructure

Federal Project Number One

The logo of the Federal Art Project (FAP), a component of the WPA.

Rather than simply granting money to private institutions, the government chose to employ cultural workers directly. Federal Project Number One had five parts, and within a single year it had put more than 40,000 artists and other talented workers to work.

Federal Art Project
Director: Holger Cahill5,300+ artists in 1936

Artists produced murals, posters, and illustrations for the other WPA arts programs and mounted public exhibitions. Teaching artists worked in settlement houses and community centers, reaching an estimated 50,000 children and adults, and more than 100 community art centers served roughly eight million people.

Federal Music Project
Director: Nikolai Sokoloff16,000+ musicians

Created to employ out-of-work musicians, it formed orchestras, choral groups, opera units, concert bands, and dance bands. It also taught music to well over a hundred thousand students a week, recorded folk music, and expanded access to scores through copyists, arrangers, and librarians.

Federal Theatre Project
Director: Hallie Flanagan12,700 at peak

Broadway employment had collapsed from about 25,000 workers in 1929 to about 4,000 in 1933. The project staged some 1,200 plays in four years and introduced 100 new playwrights. Alumni include Orson Welles, John Houseman, Burt Lancaster, Joseph Cotten, Canada Lee, Will Geer, and Sidney Lumet. It was the first project to end, when Congress zeroed out its funding in June 1939.

Federal Writers' Project
Director: Henry Alsberg6,686 writers in 1936

The FWP produced the American Guide Series, 378 books and pamphlets documenting the history, culture, and landmarks of every state, city, and village. It also recorded oral histories, including the Slave Narratives, and collected American folklore.

Historical Records Survey
Director: Luther H. Evans4,400+ workers

The smallest of the five, it set out to identify, collect, and conserve the nation's historical records, one of the largest bibliographic efforts ever undertaken.

What America Stands For

Give Me Your Wretched Refuse

Send these, the homeless, tempest-tost to me

From 1933 into the war years, a sitting president actually did something good. Crippled by economic collapse, the nation found a leader with the clarity to see what it stands for: equality, freedom, and agency.

Franklin D. Roosevelt, 1944 campaign portrait
The New Colossus by Emma Lazarus and the Statue of Liberty

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
“Keep, ancient lands, your storied pomp!” cries she
With silent lips. “Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!”

Emma Lazarus  ·  November 2, 1883
From Our Studio

The WPA Collection

Designs inspired by the posters, parks, and spirit of the era, made in DTLA.

Transcending Horizons: The Ad Astra Collection

Transcending Horizons: The Ad Astra Collection

Transcending Horizons: The Art of Spaceflight and the Modern Explorer

At cgk.ink, we believe that travel is not merely a logistical transition from one coordinate to another; it is an intellectual and spiritual pursuit. For the discerning traveler, the journey demands an aesthetic that matches the grandeur of exploration. It is with this philosophy that we invite you to experience our most elevated curation: The Ad Astra Collection.
Latin for "to the stars," Ad Astra is our tribute to humankind's ultimate frontier. We have seamlessly blended the rigorous, avant-garde geometry of fine art with the cosmic allure of outer space, creating an exclusive portfolio of apparel and accessories designed for those who navigate the globe with an elevated sensibility.

The Cosmos as Fine Art

True luxury lies in the details, and our collection treats cosmic iconography not as mere graphics, but as fine art masterpieces. We pull inspiration from technical celestial schematics, deep-space photography, and structural minimalism to craft pieces that serve as visual statements.

Galactic Flight & Graphic Tees: We have reimagined the classic wardrobe essential. Our Galactic Flight T-Shirt ($19.97) and Ad Astra per Aspera Graphic Tee ($19.97) elevate casual luxury, featuring premium design work that bridges the gap between everyday style and high art.

The Future is Supersonic: For those who appreciate high-velocity sophistication, our Supersonic Tee ($17.20 – $25.48) offers an exquisite, tailored fit paired with a bold, striking silhouette.

🪐 Curatorial Spotlight: The Aesthetic of Retro-Futurism
Within the Ad Astra collection, we pay homage to Retro-Futurism—the captivating artistic intersection where yesterday's imagination meets tomorrow's reality. By blending the optimistic, bold lines of Mid-Century Space Age design with sophisticated modern textures, we resurrect the romance of early interstellar ambition. It is an aesthetic that celebrates a timeless dream: a sleek, high-speed future where humanity steps elegantly into the cosmos.

Elite Accents for the Global Itinerary

To travel beautifully is to ensure that every element of your journey is considered. We have extended our spaceflight-inspired vision to the very items that protect and identify your belongings.

Curated Luggage Covers: Transform standard baggage into a moving gallery. Our bespoke covers—including JPL: The Grand Tour, Ride the Tides on Titan!, and Ice Dive on Europa! ($30.00 – $40.00)—are striking visual anchors that evoke the romance of interplanetary discovery while keeping your belongings pristine. The Supersonic Luggage Tag: Crafted for the minimalist connoisseur, The Future is Supersonic Luggage Tag ($24.00) adds a sharp, architectural statement to your favorite leather weekend bag or travel case.

Join Us in the Pursuit of the Extraordinary

We design for the traveler who looks upward, who appreciates the profound connection between the canvas and the cosmos. Whether you are boarding a transcontinental flight or curating your personal collection at home, let us elevate your horizon.
Discover the intersection of fine art and space flight. Explore our full gallery and claim your pieces directly at the official cgk.ink Ad Astra Showcase.
Our Newest Travel Gear

Our Newest Travel Gear

the NEWEST TRAVEL GEAR

To make this year's travels more stylish and fun, we've pulled together our newest and best travel gear we've designed.

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Let me introduce you: Chris, welcome to Los Angeles

Let me introduce you: Chris, welcome to Los Angeles

Howdy! I've been living here for a decade or so and I've picked up a lot of new info. I'm a slow learner. I'm feeling kinda friendly, so I'm gonna share:

Metro

Not "THE Metro," it's just "METRO." It rhymes with "assault" and "dead-fentanyl-addict." And "urine." It is also fairly efficient considering the area it has to cover. But not for everyone.

You can take it to Universal Studios from anywhere. And at Universal Studios, they had a ride-through "event" based on the Earthquake movie (starring Charlton Heston and a shit ton of other celebs.

So, some sick fucks thought that "having fun" on top of an active fault was OK. I was terrified at age 11 (thanks, Dad).

les Natural Disasters

Wherein, Kylie Minogue Dies a Horrible Death, The (ex)Standard Hotel Falls Apart Quicker than it Actually Did and Our Heroine Almost Perishes and is asked "Are you OK?"

We all know the drill: drink-and-lounge, duck-and-fuck, buckle-up, ride-er-out, save-the-booze-bottle. Hi, CVS? Emergency refill of my standing benzo Rx.

Doesn't really matter. We're fucked. I personally ran to a liquor store during the latest one and they were open (love BUZZ)! I had to walk up eight motherfucking stories of stairs because the elevator was a fucking pansy and automatically cut off. Fucking gay elevator. MAN UP! Bitch.

OH. MY. GAWD. Kylie? NOT KYLIE! Also please notice how none of the liquor bottles at the bar move.

I am not the first to bring this up, but I AM the first to personally aver that we had a (weak-ish) 5.3 WHILE having a HURRICANE. Not many places can lay claim to that. Nope, sorry Texas, Florida and North Carolina, you suck. And that was without fracking (staring at you, Oklahoma). Talk to me about fear, I EAT earthquakes! I did back-to-back 6.7s. ON JULY 4TH! Fuck you, Florida and "OathKeeper" Assholes. God Bless America. Also, shit I've lived through here during my residency:

  • dam burst
  • methane leaks
  • toxic battery spills into a daycare center
  • plane crashes
  • firestorms
  • santa ana winds + firestorms
  • mudslides
  • hail
  • tsunamis

Downtown

I live in DTLA and am damn proud of it. Like a survivor of a war battle. I really don't need to add much, so I'll just present: KABC Eyewitness News. When News Break, They Jus' Be Runnin'

Multiculturalisms

LA loves to say that it's one of the most diverse cities in the world. It's not. That award goes to Toronto, ONT (heyo to our buds the T.O. to the North n' shit)

LA: it is insanely segregated. Koreatown? Holy shit. Compton (don't mix the two). Burbank or Beverly Hills? "Beverly Adjacent?" What about Thaitown? No one lives there except by being vetted by genealogy. Compton, South Central? No one lives there based on skin color. Downtown? Nope... it's a collection of cordoned off camps. Disagree? Try boarding a bus and see how far you get based on your skin color and accent.

Education

...

NIghtlife / Fun Shit

Just $1K. An hour. We accept cash. That's it. U$D only.

Wanna live here?

IKR! Sun and cute boys and awmigawd it SO perfect! It's like Barbie and Oppenheimer had a baby and I'm the car! But I really want to produce/direct/fuck/escape/5150/get wasted, um, I'm sorry, do I know you?

Soulless and vacuous, just like the housing market and its mechanizations:

Let's Go!

I have a spare futon and hot water.

 

the POWER of the MANDALA

the POWER of the MANDALA

The word mandala means “circle” in Sanskrit and is the name given to geometric patterns that Buddhists have used in the practice of meditation for centuries.

Carl Jung, the renowned Swiss psychiatrist and psychoanalyst, had a deep fascination with mandalas. He considered them to be powerful symbols of wholeness and individuation, representing the integration of the conscious and unconscious aspects of the self.

According to Jung, mandalas can be seen as archetypal images that emerge from the collective unconscious, reflecting the universal patterns of human experience.

For Jung, mandalas served as a tool for self-exploration and self-transformation. He often encouraged his patients to create mandalas as a means of accessing and expressing the unconscious. By engaging in the process of creating a mandala, individuals could gain insight into their own psyche, discover hidden aspects of themselves, and achieve a sense of harmony and balance.

Jung believed that the circular and symmetrical design of mandalas had a calming and stabilizing effect on the psyche. They represented a microcosm of the universe and symbolized the unity of all things. Mandalas can be found across different cultures and religions, such as Buddhism, Hinduism, and Native American traditions, each with their own unique interpretations and spiritual significance.

Today, mandalas continue to be used as tools for meditation, self-reflection, and personal growth. Creating or coloring mandalas can be a therapeutic practice, allowing individuals to relax, focus their attention, and tap into their inner wisdom. Whether you appreciate them for their rich symbolism, artistic beauty, or meditative qualities, mandalas offer a profound way to connect with the deeper aspects of ourselves and the universe we inhabit.

Examples of mandala can be found in all the ancient cultures. We find it in Christianity under the form of frescos with animal images representing apostles (and the zodiac). The astrological zodiac and its versions are examples of mandala. Also, in the Indian spiritual practices we find fascinating examples of mandala, with symbols of the local pantheon.

In yoga practices, mandala can be a support for meditation or an image that must be internalized through mental absorption. This image organizes the inner energies and forces of the practitioner and puts them in relationship with his ego-consciousness.

“I sketched every morning in a notebook a small circular drawing … which seemed to correspond to my inner situation at the time. … Only gradually did I discover what the mandala really is: … the Self, the wholeness of the personality, which if all goes well, is harmonious."

— Carl Jung, Memories, Dreams, Reflections, pp. 195–196.”

the HAWAIIAN SHIRT COLLECTION: MAHALO!

the HAWAIIAN SHIRT COLLECTION: MAHALO!

Hawaiian style is all about ease and comfort. It's also about celebrating the colors and forms of this unique tropical, Pacific location.

As with most creative expression, we always seek out the most profane, bastardized version of whatever we are are admiring.

A few of the worst Hawaiian shirts a short Google Image Search uncovered:

 

Though its precise origins are lost to history, the aloha shirt first appeared in Hawaii in the 1920s or ’30s, probably when local Japanese women adapted kimono fabric for use in men’s shirting. The shirts achieved some popularity among tourists to Hawaii and found greater commercial success when they hit the mainland in the mid-1930s. America at the time was riddled with hardship and anxiety, with many men out of work and many others struggling to hold on to their breadwinner status. Perhaps in response, hyper-manliness came into vogue—the popularity of bodybuilding skyrocketed, Superman burst onto the scene. It may seem paradoxical that men embraced a garment with such feminine appeal. “You’d better get two or three because it’s a cinch your daughter, sister, wife or even mother will want this bright-colored shirt as soon as she sees it,” the Los Angeles Times teased in 1936. That didn’t stop men from buying. By 1940, aloha shirts were bringing in more than $11 million annually (in today’s money).

By the 1960s, the shirt had become truly ubiquitous. Aloha Fridays were a fixture of a certain kind of workplace, and everyone—from Elvis to the decidedly unhip Richard Nixon—seemed to have an aloha shirt. Over time, perhaps inevitably, it lapsed into the realm of corny suburban-dad-wear.

Yet in just the past five years, fashion magazines have been heralding a comeback, and high-end labels like Gucci are taking the aloha shirt to new heights, with prints that draw on Japanese designs favored in the garment’s early days. Meanwhile, some shirtmakers from Hawaii’s old guard are still going strong. Kahala, founded in 1936 as one of the first brands producing aloha shirts, has been raiding its vaults to reproduce designs dating back to the 1930s—including some popularized by Duke Kahanamoku. “People are looking to bring some light, some color, some vibrancy into their lives,” says Jason Morgan, Kahala’s general manager. “I think that’s needed now more than ever. If an aloha shirt can help improve somebody’s day, I think that’s pretty powerful.”

Source: Smithonian Magazine May, 2020