mandalas

I sketched every morning in a notebook a small circular drawing, […] which seemed to correspond to my inner situation at the time. […] Only gradually did I discover what the mandala really is: […] the Self, the wholeness of the personality, which if all goes well is harmonious.

— Carl Jung, Memories, Dreams, Reflections, pp. 195–196. p.232 Vintage books revised edition (Doubleday)
Fine Art Focus: Matthew Digby Wyatt

Fine Art Focus: Matthew Digby Wyatt

“Indian kincob pattern – woven at Ahmedabad” by Sir Matthew Digby Wyatt, featured in The Industrial Arts of the Nineteenth Century (1851-1853).Design Origin: The pattern is based on traditional Indian textiles, specifically kincob (brocade) woven in Ahmedabad.Historical Context: It was published in a famous 19th-century collection of ornamental artwork.Artistic Style: The image showcases a intricate floral and paisley-style motif, characteristic of Middle Eastern and Indian decorative arts

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the POWER of the MANDALA

the POWER of the MANDALA

Though rooted in Buddhism, mandalas soon became present in Hinduism and other religious practices. Painters of the spiritual craft were often pious laymen, who were commissioned by a patron. They worked seated on the floor with a painting propped in their laps or in front of their crossed legs.

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