Glassware: cheers!

Glassware: cheers!

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Two-in-one: these mixing glasses are both shakers and serving glasses. Made from 100% glass, they’re crystal clear and look sleek. The solid-glass base also minimizes the risk of tipping and spilling the drink. They’re more narrow at the bottom for a more comfortable grip and easier carrying.

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Elevate your drinking experience with our 10oz Rocks Glass. Crafted from clear tempered glass, it comes packed with style and durability. With an FDA Certification and BPA-free material, you can enjoy your favorite beverages worry-free.

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A bar essential. These come in one size: 6oz (0.17l), which fits into the whiskey-glass standard in hospitality.

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Whether it’s weddings, parties, or beautiful evenings with friends and family, these stemless glass wine fits right in. With its sleek, stemless design, each glass holds 11.75oz of your favorite wine.

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Mugs, Mason Jars, Flutes and many other types of glasses for special  occassions and when only a unique form of barware is required.

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Fine Art Focus: László Moholy-Nagy 

Fine Art Focus: László Moholy-Nagy 

László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him “relentlessly experimental” because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing.

He also worked collaboratively with other artists, including his first wife Lucia Moholy, Walter Gropius, Marcel Breuer, and Herbert Bayer.

His largest accomplishment may be the School of Design in Chicago, which survives today as part of the Illinois Institute of Technology, which art historian Elizabeth Siegel called “his overarching work of art”. He also wrote books and articles advocating a utopian type of high modernism.

Explore all Artists in this Collection:

Fine Art Focus: Jean (Hans) Arp

Fine Art Focus: Jean (Hans) Arp

In 1904, after leaving the École des Arts et Métiers in Strasbourg, he went to Paris where he published his poetry for the first time. From 1905 to 1907, he studied at the Weimarer Kunstschule in Germany, where he met his uncle, German landscape painter Carl Arp. In 1908 he returned to Paris, where he attended the Académie Julian. Arp was a founder-member of the first modern art alliance in Switzerland Moderne Bund in Lucerne in 1911, participating in their exhibitions from 1911 to 1913.


In 1912 he went to Munich and called on Wassily Kandinsky, the influential Russian painter and art theorist. Arp was encouraged by him in his researches and exhibited with the Der Blaue Reiter group. Later that year, he took part in a major exhibition in Zürich, along with Henri MatisseRobert Delaunay, and Kandinsky. In Berlin in 1913, he was taken up by Herwarth Walden, the dealer and magazine editor who was at that time one of the most powerful figures in the European avant-garde. 

In 1915 he moved to Switzerland to take advantage of Swiss neutrality. Arp later told the story of how, when he was notified to report to the German consulate in Zürich, he pretended to be mentally ill in order to avoid being drafted into the German Army: after crossing himself whenever he saw a portrait of Paul von Hindenburg, Arp was given paperwork on which he was told to write his date of birth on the first blank line. Accordingly, he wrote “16/9/87”; he then wrote “16/9/87” on every other line as well, then drew one final line beneath them and, “without worrying too much about accuracy”, calculated their sum.

Hans Richter, describing this story, noted that “they [the German authorities] believed him.”

 In 1916 Hugo Ball opened the Cabaret Voltaire, which was to become the centre of Dada activities in Zürich for a group that included Arp, Marcel JancoTristan Tzara, and others. In 1920, as Hans Arp, along with Max Ernst and the social activist Alfred Grünwald, he set up the Cologne Dada group. In 1925 his work also appeared in the first exhibition of the Surrealist group at the Galérie Pierre in Paris.

A Green Christmas

A Green Christmas

Sustainable ecommerce

How we're working to reduce ecommerce's climate impact

Carbon offsetting is a way to compensate for the carbon dioxide we spew into the atmosphere by funding projects that reduce greenhouse gases or absorb carbon from the air. At cgk.ink, this means investing in renewable energy sources, reforestation efforts, and energy-efficient technologies that help balance out the environmental impact of shipping and packaging. 

Stripe Climate is the easiest way to help promising permanent carbon removal technologies launch and scale. cgk.ink has  joined a growing group of ambitious businesses that are changing the course of carbon removal.

Of every purchase on cgk.ink, 1% of the total price is donated, without an increase in cost to you. 

Carbon Balance Pte. Ltd. is a sustainability platform based in Singapore providing a calculator API to measure the GHG footprint of ecommerce transactions and an Integration Plugin for popular ecommerce enablers such as WooCommerce, EasyStore, Shopify with flexible options to offset footprint by contributing to trustworthy projects.

These pieces of software complement our other intiatives, such as:

  • Combining shipping when available to further reduce our carbon footprint
  • Allowing you to control the speed of delivery so excessive emmissions are avoided
  • Using recyclable packaging to reduce the overall impact of shipping.

Examples of current carbon-offsetting efforts:

Google Travel, as well as other travel and hotel search sites, have formulated a way to compare carbon emission variations among similar routes. The impetus is on both the airline and the consumer to choose among the available options with ecological criteria being included.

the cgk.ink eco-logical collection

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RGB v. CMYK: Color Theory 101

RGB v. CMYK: Color Theory 101

Color is one of the most essential design elements. This site uses many different techniques to deliver items that are as sharp and vivid as the images that are presented on the web site.

There are very specific differences between what is displayed versus what is printed. Let’s take a quick look at some basic physics of rendering colors:

RGB is an additive color model, while CMYK is subtractive.

RGB uses white as a combination of all primary colors and black as the absence of light. CMYK, on the other hand, uses white as the natural color of the print background and black as a combination of colored inks. Graphic designers and print providers use the RGB color model for any type of media that transmits light, such as computer screens. RGB is ideal for digital media designs because these mediums emit color as red, green, or blue light.

RGB is best for websites and digital communications, while CMYK is better for print materials. Most design fields recognize RGB as the primary colors, while CMYK is a subtractive model of color.

With the RGB color model, pixels on a digital monitor are – if viewed with a magnifying glass – all one of three colors: red, green, or blue. The white light emitted through the screen blends the three colors on the eye’s retina to create a wide range of other perceived colors. With RGB, the more color beams the device emits, the closer the color gets to white. Not emitting any beams, however, leads to the color black.

This is the opposite of how CMYK works.

CMYK is best for print materials because print mediums use colored inks for messaging. CMYK subtracts colors from natural white light and turns them into pigments or dyes. Printers then put these pigments onto paper in tiny cyan, magenta, yellow, and black dots – spread out or close together to create the desired colors. With CYMK, the more colored ink placed on a page, the closer the color gets to black. Subtracting cyan, magenta, yellow, and black inks create white – or the original color of the paper or background. RGB color values range from 0 to 255, while CMYK ranges from 0-100%.