the POWER of the MANDALA

the POWER of the MANDALA

The word mandala means “circle” in Sanskrit and is the name given to geometric patterns that Buddhists have used in the practice of meditation for centuries.

Carl Jung, the renowned Swiss psychiatrist and psychoanalyst, had a deep fascination with mandalas. He considered them to be powerful symbols of wholeness and individuation, representing the integration of the conscious and unconscious aspects of the self.

According to Jung, mandalas can be seen as archetypal images that emerge from the collective unconscious, reflecting the universal patterns of human experience.

For Jung, mandalas served as a tool for self-exploration and self-transformation. He often encouraged his patients to create mandalas as a means of accessing and expressing the unconscious. By engaging in the process of creating a mandala, individuals could gain insight into their own psyche, discover hidden aspects of themselves, and achieve a sense of harmony and balance.

Jung believed that the circular and symmetrical design of mandalas had a calming and stabilizing effect on the psyche. They represented a microcosm of the universe and symbolized the unity of all things. Mandalas can be found across different cultures and religions, such as Buddhism, Hinduism, and Native American traditions, each with their own unique interpretations and spiritual significance.

Today, mandalas continue to be used as tools for meditation, self-reflection, and personal growth. Creating or coloring mandalas can be a therapeutic practice, allowing individuals to relax, focus their attention, and tap into their inner wisdom. Whether you appreciate them for their rich symbolism, artistic beauty, or meditative qualities, mandalas offer a profound way to connect with the deeper aspects of ourselves and the universe we inhabit.

Examples of mandala can be found in all the ancient cultures. We find it in Christianity under the form of frescos with animal images representing apostles (and the zodiac). The astrological zodiac and its versions are examples of mandala. Also, in the Indian spiritual practices we find fascinating examples of mandala, with symbols of the local pantheon.

In yoga practices, mandala can be a support for meditation or an image that must be internalized through mental absorption. This image organizes the inner energies and forces of the practitioner and puts them in relationship with his ego-consciousness.

“I sketched every morning in a notebook a small circular drawing … which seemed to correspond to my inner situation at the time. … Only gradually did I discover what the mandala really is: … the Self, the wholeness of the personality, which if all goes well, is harmonious.”

— Carl Jung, Memories, Dreams, Reflections, pp. 195–196.”

the HAWAIIAN SHIRT COLLECTION: MAHALO!

the HAWAIIAN SHIRT COLLECTION: MAHALO!

Hawaiian style is all about ease and comfort. It’s also about celebrating the colors and forms of this unique tropical, Pacific location.

As with most creative expression, we always seek out the most profane, bastardized version of whatever we are are admiring.

A few of the worst Hawaiian shirts a short Google Image Search uncovered:

 

Though its precise origins are lost to history, the aloha shirt first appeared in Hawaii in the 1920s or ’30s, probably when local Japanese women adapted kimono fabric for use in men’s shirting. The shirts achieved some popularity among tourists to Hawaii and found greater commercial success when they hit the mainland in the mid-1930s. America at the time was riddled with hardship and anxiety, with many men out of work and many others struggling to hold on to their breadwinner status. Perhaps in response, hyper-manliness came into vogue—the popularity of bodybuilding skyrocketed, Superman burst onto the scene. It may seem paradoxical that men embraced a garment with such feminine appeal. “You’d better get two or three because it’s a cinch your daughter, sister, wife or even mother will want this bright-colored shirt as soon as she sees it,” the Los Angeles Times teased in 1936. That didn’t stop men from buying. By 1940, aloha shirts were bringing in more than $11 million annually (in today’s money).

By the 1960s, the shirt had become truly ubiquitous. Aloha Fridays were a fixture of a certain kind of workplace, and everyone—from Elvis to the decidedly unhip Richard Nixon—seemed to have an aloha shirt. Over time, perhaps inevitably, it lapsed into the realm of corny suburban-dad-wear.

Yet in just the past five years, fashion magazines have been heralding a comeback, and high-end labels like Gucci are taking the aloha shirt to new heights, with prints that draw on Japanese designs favored in the garment’s early days. Meanwhile, some shirtmakers from Hawaii’s old guard are still going strong. Kahala, founded in 1936 as one of the first brands producing aloha shirts, has been raiding its vaults to reproduce designs dating back to the 1930s—including some popularized by Duke Kahanamoku. “People are looking to bring some light, some color, some vibrancy into their lives,” says Jason Morgan, Kahala’s general manager. “I think that’s needed now more than ever. If an aloha shirt can help improve somebody’s day, I think that’s pretty powerful.”

Source: Smithonian Magazine May, 2020

the ART of INDIA

the ART of INDIA

the ART of INDIA

The diversity of the world’s largest national population is astounding.

122 languages, including the planet’s oldest language: Hindi. 12 religions. 1.408 billion people (est. 2021). 29 states.

This pluralism nurtures an insane wealth of art and cultural expression. Arguably, this is the creative soul of Earth.

cgk.ink is exploring this rich history. And we’re here to share our very fundamental, simple understanding of its expressions, its forms and what it says to us now in the 21st century.

Below are some of the genres of Indian art that we gleaned from ArtZolo.com:

Madhubani

Madhubani paintings are the most celebrated style of folk painting from India; it is a form of wall art that arises in the Mithila region of Bihar. This eye-catching art style never fails to amaze one by its beautiful illustrations on the exposed interior walls of the houses in Bihar. Madhubani paintings are a perfect example of artistic expression and evocative portrayal of culture and traditions. The designs make perfectly distinctive geometrical patterns, scenes from mythology, and symbolic images. The perfect blend of bright vibrant colours and unique patterns make Madhubani stand out from other painting styles. Katchni, Tantrik, Bharni, Khobar, and Godna are five different styles of Madhubani paintings.

Warli

Warli is a 2,500-year-old traditional painting style from Maharashtra majorly practiced in Thane and Nashik region. Warli paintings illustrate the nature and social rituals of the tribe. Warli paintings also showcase day-to-day life scenarios of the local people of that particular community just like dancing, farming, hunting, praying, etc. The local women used twigs to draw such beautiful lively designs with rice paste on mud walls to convey the celebration vibes of harvests or weddings.

Kalighat

The Kalighat painting was discovered around the mid-19th century at Kali Temple in Calcutta. These paintings and drawings were done on paper by a community known as “patuas”. A Kalighat painting depicts scenes of everyday life and mythological deities in a captivating manner. Kalighat artists use subtle earthy Indian colours like indigo, ochre, Indian red, grey, blue and white.

Phad

Phad is a traditional Rajasthani scroll painting from India, depicting the stories of local deities, heroic figures from battlefields, adventure stories, and legendary romantic stories on horizontal cloth scrolls with the hues of red, yellow, and bright orange. Phad Painting marvellously portrays multiple stories in a single composition and beautifully maintains the aesthetics of artistic expression.

Miniature/Mughal

Miniature painting is Mughal influenced art form; this style was introduced in India during the 16th century and transformed its identity in the history of Indian art. Miniature paintings are a blend of Islamic, Persian, and Indian elements. These paintings are created using all-natural mineral colours, precious stones, conch shells, gold, and silver. Across India, the miniature style painting has developed its own identity into distinct schools of miniature paintings like Kangra, Rajasthan, Malwa, Pahadi, Mughal, Deccan, etc.

Gond

Gond paintings are a series of arranged dots and dashes developed by the Gondi tribe of central India. The tribes used to recreate some famous epic mythological tales of histories to traditional songs and rituals with rich detailing and bright colours. Traditionally, the colours used for gond paintings were derived from natural resources like cow dung, plant sap, charcoal, coloured soil, mud, flowers, leaves, etc. With growing times, the Gond art has moved beyond being a tribal art style.

Gond Painting is a tribal art form practiced by Gond Tribes of Central India. Gond are Dravidian and the largest Adivasi Community in India. They are predominantly found in Madhya Pradesh but can also be traced in Andhra Pradesh, Maharashtra, Chattisgarh and Odisha. Gond believes that everything is inhabited by a spirit and therefore sacred. Their paintings reflect the close connection between man and the nature. Paintings are created out of carefully drawn lines in such a way that they convey a feeling of movement to the still images. Dots and Dashes are added to make the details and create the feeling of movement. Gond Paintings use vivid and bright colours like White, Yellow, Blue and Red which are derived from natural objects.

Coloured soil, charcoal, plant sap, mud, flowers, leaves, cow dung etc. are used in making the required colours. Recently the Gond Paintings can be seen using poster colours and canvas.

Kerala Murals

Kerala mural paintings are the most unique art form and have deep spiritual roots depicting themes of Hindu mythologies, epics of the bye-gone era, classic tales of Krishna, and mystic forms of Shiva and Shakti. These traditional art styles are made up of bold strokes, and vivid colours. White, ochre-red, bluish-green, yellow-ochre, and pure colours are predominantly used in Kerala mural painting.

Picchwai

Picchwai artwork was made as wall hangings behind the main deity in Krishna temples in Nathdwara which narrates the stories related to Lord Krishna. Picchwais are the most colorful and intricate work concealed with symbolism in the artistic motifs. This classified devotional art practice has passed from one generation to another and a fine example of spirituality in art.

Pattachitra

Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha, West Bengal and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. 

Slim Aarons: passive luxury

Slim Aarons: passive luxury

Slim Aarons

1916-2006

Slim Aarons was an American photographer noted for his images of socialites, jet-setters and celebrities. His work principally appeared in LifeTown & Country, and Holiday magazines.

In his series of photos, Aarons documents the luxurious, pleasure class of the 60s and 70s.

Palm Springs, California could have been the only backdrop to such a menagerie of people.

Aarons died in 2006 in Montrose, New York, and was buried in Mount Auburn Cemetery in Cambridge, Massachusetts

At 18 years old, Aarons enlisted in the United States Army, worked as a photographer at the United States Military Academy, and later served as a combat photographer in World War II and earned a Purple Heart. Aarons said combat had taught him the only beach worth landing on was “decorated with beautiful, seminude girls tanning in a tranquil sun.”

After the war, Aarons moved to California and began photographing celebrities. In California, he shot his most praised photo, Kings of Hollywood, a 1957 New’s Year’s Eve photograph depicting Clark GableVan HeflinGary Cooper, and James Stewart relaxing at a bar in full formal wear.

Aarons never used a stylist, or a makeup artist. He made his career out of what he called “photographing attractive people doing attractive things in attractive places.”[1][3] An oft-cited example of this approach is his 1970 Poolside Gossip shot at the Kaufmann Desert House designed by Richard Neutra, with owner Nelda Linsk as one of the models in the photo. “I knew everyone,” he said in an interview with The (London) Independent in 2002. “They would invite me to one of their parties because they knew I wouldn’t hurt them. I was one of them.” Alfred Hitchcock‘s filmRear Window (1954)whose main character is a photographer played by Jimmy Stewart, is set in an apartment reputed to be based on Aarons’ apartment.

In 1997, Mark Getty, the co-founder of Getty Images, visited Aarons in his home and bought Aarons’ entire archive.

In 2017, filmmaker Fritz Mitchell released a documentary about Aarons, called Slim Aarons: The High Life. In the documentary it is revealed that Aarons was Jewish and grew up in conditions that were in complete contrast to what he told friends and family of his childhood. Aarons claimed that he was raised in New Hampshire, was an orphan, and had no living relations. After his death in 2006, his widow and daughter learned the truth that Aarons had grown up in a poor immigrant Yiddish-speaking family on the Lower East Side of Manhattan. When he was a boy, his mother was diagnosed with mental health issues and admitted to a psychiatric hospital, which caused him to be passed around among relatives. He resented and had no relationship with his father and had a brother, Harry, who would later commit suicide. Several documentary interviewees postulate that if Aarons’s true origins had been known, his career would have been unlikely to succeed within the restricted world of celebrity and WASP privilege his photography glamorized.

the ART of INDIA

the ART of INDIA

an overview of the ART of INDIA >

Indian art consists of a variety of art forms, including paintingsculpturepottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now IndiaPakistanBangladeshSri LankaNepal, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.

The origin of Indian art can be traced to prehistoric settlements in the 3rd millennium BCE. On its way to modern times, Indian art has had cultural influences, as well as religious influences such as HinduismBuddhismJainismSikhism and Islam. In spite of this complex mixture of religious traditions, generally, the prevailing artistic style at any time and place has been shared by the major religious groups.

In historic art, sculpture in stone and metal, mainly religious, has survived the Indian climate better than other media and provides most of the best remains. Many of the most important ancient finds that are not in carved stone come from the surrounding, drier regions rather than India itself. Indian funeral and philosophic traditions exclude grave goods, which is the main source of ancient art in other cultures.

Indian artist styles historically followed Indian religions out of the subcontinent, having an especially large influence in TibetSouth East Asia and China. Indian art has itself received influences at times, especially from Central Asia and Iran, and Europe.

our LATEST DESIGNS INSPIRED by INDIA: