Fine Art Focus: Joan MirĂ³

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Joan MirĂ³ Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesco Galí’s Escola d’Art in Barcelona from 1912 to 1915. MirĂ³ received early encouragement from the dealer JosĂ© Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917 he met Francis Picabia.

The Tilled Field (La terre labourĂ©e), Joan MirĂ³ (1923)

MirĂ³â€™s spirited depiction of The Tilled Field also has political content. The three flags—French, Catalan, and Spanish—refer to Catalonia’s attempts to secede from the central Spanish government. Primo de Rivera, who assumed Spain’s dictatorship in 1923, instituted strict measures, such as banning the Catalan language and flag, to repress Catalan separatism. By depicting the Catalan and French flags together, across the border post from the Spanish flag, MirĂ³ announced his allegiance to the Catalan cause.

—Guggenheim New York

MirĂ³ made his first trip to Paris, where he met Pablo Picasso. From this time, MirĂ³ divided his time between Paris and Montroig, Spain. In Paris he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized MirĂ³â€™s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924 MirĂ³ joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; MirĂ³ was included in the first Surrealist exhibition at the Galerie Pierre that same year. MirĂ³ left Spain because of the civil war; he returned in 1941. Also in 1936 MirĂ³ was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year he was commissioned to create a monumental work for the Paris World’s Fair. During the 1960s he began to work intensively in sculpture. MirĂ³ retrospectives took place at the MusĂ©e National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. In 1978 the MusĂ©e National d’Art Moderne exhibited over five hundred works in a major retrospective of his drawings. MirĂ³ died on December 25, 1983, in Palma de Mallorca, Spain.

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